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23 Years Later, Omar's Best The Wire Line Is Still A Top 3 HBO Quote

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Ben Sherlock is a Tomatometer-approved film and TV critic who runs the massively underrated YouTube channel I Got Touched at the Cinema. Before working at Screen Rant, Ben wrote for Game Rant, Taste of Cinema, Comic Book Resources, and BabbleTop. He's also an indie filmmaker, a standup comedian, and an alumnus of the School of Rock.

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The Wire is such a sobering, authentic look at the seedy underbelly of the American city that it often plays like a documentary. The naturalistic performances, fly-on-the-wall cinematography, and fiercely realistic storytelling all come together to make The Wire feel more real and lifelike than any other cop show on the air (by a pretty wide margin). But it’s not just an examination of the United States’ broken institutions through the microcosmic prism of Baltimore; it’s also stylized enough to satisfy as an entertaining TV show.

That can mostly be seen in the dialogue. While it never breaks the realism, The Wire’s dialogue has the nuance and rhythm of an Aaron Sorkin script. The Wire’s characters feel like living, breathing human beings, but their dialogue is a little sharper and wittier than most real people. D’Angelo’s monologue explaining the rules of chess by way of the rules of the street is masterfully crafted. Lester’s wisest words reminded McNulty — and the audience at home — what life is all about: “A life, Jimmy, you know what that is? It’s the sh*t that happens while you wait for moments that never come.”

The Wire has a quote for every occasion, whether it’s the fear of change (“The thing about the old days, they’re the old days”) or the importance of humility. Bunk’s most quotable line is a perfect joke in nine words: “I’m just a humble mother*cker with a big-ass d*ck." Not only is the phrasing funny, and the shock value; it’s self-contradictory: the “big-ass d*ck” brag immediately contradicts the “humble” part. It’s a setup and punchline all in the same sentence, in less than 10 words.

The Wire is actually a lot funnier than most people remember. The series is remembered (and hailed) as a discomforting social critique — and it is that — but it had a lot of comedic moments to lighten the mood, too, like Omar showing up to court with a tie over his usual garb.

Omar's "All In The Game" Line Sums Up The Entire Thesis Of The Wire

Omar (Michael Williams) in court in The Wire

Season 2, episode 6, “All Prologue,” is one of The Wire’s greatest episodes, and it might be Omar’s finest hour. Omar gets some hilarious moments in this episode — his courtroom attire is a classic sight gag, and the testimony that follows is basically a standup comedy routine in the least appropriate setting — but he also delivers one of his most poignant lines.

Omar Little is one of the most complicated and charismatic characters in The Wire. Most of the characters in this show’s ensemble fall on one side of the law or the other — McNulty is a cop, albeit a pretty dirty one, while Marlo Stanfield is a drug lord — but Omar walks a fine line between the two. He’s a sort of Robin Hood-style vigilante, robbing local drug dealers of their ill-gotten gains and reluctantly working with the local police to help build a case against them. Along with Walter White, Tony Soprano, and Don Draper, Omar is one of television’s most iconic and enrapturing antiheroes.

In “All Prologue,” Omar delivers a pointed, powerful line that sums up the thesis of the whole series. When Omar is on the stand, being questioned by Maurice Levy, a defense attorney on retainer for the Barksdale Organization, he tells him, “I got the shotgun, you got the briefcase. It’s all in the game, though, right?” He’s essentially saying, “You and I aren’t so different,” but in a much more eloquent and original way. Both Omar and Levy are exploiting drug dealers for their blood money, but an arbitrary piece of paper deems Omar to be a criminal and Levy to be a legitimate, upstanding citizen. Whatever the laws say, it’s all in the game.

Levy might put on a suit and tie before fleecing Avon Barksdale, but the end result is the same as Omar’s shotgun-wielding antics. That’s the message at the heart of The Wire: all of America is corrupt, on both sides of the law.

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Release Date
2002 - 2008-00-00

Network
HBO

Showrunner
David Simon

Directors
Ernest R. Dickerson, Ed Bianchi, Steve Shill, Clark Johnson, Daniel Attias, Agnieszka Holland, Tim Van Patten, Alex Zakrzewski, Anthony Hemingway, Brad Anderson, Clement Virgo, Elodie Keene, Peter Medak, Rob Bailey, Seith Mann, Christine Moore, David Platt, Dominic West, Gloria Muzio, Jim McKay, Leslie Libman, Milcho Manchevski, Robert F. Colesberry, Thomas J. Wright

Writers
Richard Price, Joy Lusco, Rafael Alvarez, Dennis Lehane, David Mills, William F. Zorzi, Kia Corthron

  • Headshot Of Dominic West

    Dominic West

    Jimmy McNulty

  • Headshot Of Lance Reddick

    Lance Reddick

    Cedric Daniels

The Wire is an American crime drama starring Dominic West and Lance Reddick. The show follows Detective James ‘Jimmy’ McNulty as he tackles the drug scene in Baltimore, Maryland. The HBO series was praised throughout its run, even winning two Primetime Emmy Awards. The Wire aired on HBO between 2002 and 2008 for a total of 60 episodes.

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