15 Years Later, Alexander Skarsgård’s Chilling Thriller Is Still His Greatest Villain Role

He may be better known by current audiences as the unusual object of affection in Wicker and Pillion, but Alexander Skarsgård has a darker side to his repertoire. This was never more evident than in Straw Dogs, the 2011 remake of the classic thriller, which can be streamed for free right now on Tubi. Co-starring James Marsden and Kate Bosworth, the movie was somewhat drowned out by the shadow of its famous predecessor, but it’s worth revisiting for a taste of Skarsgård’s intensity and an early glimpse of the cult favorites that were to come in his career.
‘Straw Dogs’ is a Claustrophobic Fight for Survival
Marsden and Bosworth star as David and Amy, a married couple who relocate to Amy’s late father’s house in Mississippi so that David, a screenwriter, can finish his latest script. The couple run into aggressive locals, led by Charlie (Skarsgård), Amy’s ex-boyfriend, who has been hired along with his friends to fix the roof of their house. Tensions rise between the couple and Charlie, as he begins to cross unimaginable lines that force them to take a stand.
The 1971 original, which starred Dustin Hoffman and Susan George, contained depictions of sexual violence that caused outrage at the time, particularly given that a number of movies released that year (including A Clockwork Orange and Dirty Harry) featured graphic scenes of abuse and violence. The remake adjusted the story for the time, with the controversial sexual assault scene altered so that it did not have the same ambiguity of the 1971 film.
Alexander Skarsgård is Unsettling As the Sinister Villain
While the film drew mixed reviews, with critics comparing it unfavorably to the original, most were in agreement that Skarsgård is the movie’s standout. The reason for the praise is due to his making Charlie more than simply a dangerous man but a rounded character whose charm is an elegant disguise for his psychopathy. Charlie is sincere, charismatic, and displays the leadership skills to make it seem logical that he would earn the loyalty of his co-conspirators. However, lurking underneath that veneer is the heart of a sadistic tormentor, who uses his physicality as a threat.
Using his stature to intimidate the couple, he shifts from friendly and hospitable to cold and predatory with alarming ease, showing how he could have manipulated his way into Amy’s past without his demons being suspected. Many other actors in this role would have simply made him aggressive, but the Swedish star becomes the standout by keeping his character’s victims (and the audience) on their toes with a performance that is always one step ahead of your expectations.
‘Straw Dogs’ Would Lead to Other Gritty Hits
This thriller would not be the last time he would display that level of intensity. A popular and prolific star capable of a variety of roles, he would channel that edginess again in 2018 with Hold the Dark, playing an Army veteran with terrifying secrets who intimidates an author (Jeffrey Wright) investigating a child’s disappearance. He would also be the brutal, unrelenting force at the forefront of Robert Eggers’ The Northman, starring as a Viking out for revenge. Add in small-screen appearances such as Big Little Lies, and there are many times Skarsgård has gone to the dark side in order to tell a compelling story.
However, Straw Dogs was the springboard to that success. To take something so ingrained in the minds of movie lovers and offer a new perspective is no mean feat. Skarsgård reaped the benefits of committing to a part that even he admitted was “emotionally, pretty draining” when promoting the film’s release.
15 years later, Straw Dogs is an intriguing, nail-biting experience that goes in a different direction than its predecessor but finds a new approach to a famous story. As Alexander Skarsgård rightfully takes his place as the modern movie heartthrob, it’s interesting to see how he can make us shiver as well as swoon.
- Release Date
- September 15, 2011
- Runtime
- 109 Minutes
- Director
- Rod Lurie
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