‘You Can See Everything’ Will Be A Treat Over Slow Halloween Frame; Documentary’s U.S. Cume At $52M+ & Rising – Box Office

Fueled by non-stop memes on social, not to mention, Elizabeth Holmes and Nathan Fielder being the ‘it’ Halloween costumes, A24’s You Can See Everything is destined to lead the sluggish holiday frame with around $10M+, we hear.

Far and away, the Lance Oppenheim and Fielder co-directed three-hour documentary is the sales leader we understand as of today; the pic expected to ease around -40% from its second weekend take of $19.5M.

You Can See Everything ends its second week with $27.1M and a 14-day cume of $52.7M, to Warner Bros/DC’s Clayface which ends its first week with $33.6M. That James Watkins directed Batman villain spinoff is hoping to ease -60% in its second weekend, which is on the high-end for a genre movie.

While Michael Moore’s Fahreinheit 9/11 is the highest grossing non-nature, non-concert documentary with $119.1M domestic, docs which You Can See Everything has already surpassed stateside include Bowling for Columbine ($21.5M), An Inconvenient Truth ($24.1M), and the Leonardo DiCaprio narrated Hubble 3D ($52.5M).

With rain expected in B.O. capital LA tomorrow, and the buzz still hot on You Can See Everything, will moviegoers take three hours out of their festivities tomorrow to see this movie? Typically horror movies, like Clayface, lead on Halloween, but we’re dealing with an anomaly here.

The latest mania on social for You Can See Everything:

Similar to last year, Halloween is landing on the weekend, and that spells doom for the box office. Last year, the holiday fell on a Friday with all pics grossing $57.3M over Friday-Sunday (the fifth lowest grossing weekend of 2025). The previous times Halloween fell on a Saturday were Covid 2020 (when a majority of theaters were closed) and 2015 (The Martian led the weekend with a $11.7M fifth frame; overall weekend grossed $74.1M). Some box office sources argue that the weekend may not get sucker punched as bad as we think: Unlike Super Bowl weekend, moviegoers can still make it to matinees tomorrow or attend tonight.

Nonetheless, it’s not a time for the major studios to waste their time or money on opening a wide release. The most notable wide release this weekend is Briarcliff Entertainment’s Kevin Lewis directed indie holiday slasher, Christmas at the Kringles at 1,825 theaters. The pic brought in $200K in previews last night and is expected to do in the low single digits over the weekend. Blurb for the Ron Livingston, Rob Riggle, Rachel Bilson and Tom Lennon movie: The Severson family move to a suburban neighborhood where their neighbors, the Kringles, celebrate Christmas year-round and harbor sinister intentions to hypnotize and indoctrinate them. Rotten Tomatoes critical score is gulp, 0%.

Other pics opening this weekend include Roadside Attractions’ Joshua Live! at 1,230 theaters and Samuel Goldwyn Films’ Liam Neeson and Marisa Tomei action movie The Mongoose at 1,000 locations.

Also, going wider is Black Bear’s critically acclaimed female pleaser, Wicker, from 1,471 sites to an estimated 2,374 locations.

Here’s the week’s top 5:

1.) Clayface (WB) 3,458 theaters, $33.7M/Wk 1

2.) You Can See Everything (A24) 2,655 theaters, Wk $27.1M (+6%), Total $52.7M/Wk 2

3.) Wildwood (Fath/Laika) 2,745 theaters, Wk $18.3M/Wk 1
First week result here for Laika’s latest is higher than the first week of Travis Knight’s Kubo and the Two Strings ($17M), already ahead of the lifetime of their last movie, 2019’s The Missing Link ($16.6M), and under ParaNorman ($19.6M), Coraline ($20.2M) and The Boxtrolls ($20.1M).

4.) Street Fighter (Par) 3,575 theaters, Wk $11.4M (-70%), Total $49.8M/Wk 2