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Friday, November 13, 2026

The 10 Most Masterful Climaxes in Animated Movies

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Diego Pineda has been a devout storyteller his whole life. He has self-published a fantasy novel and a book of short stories, and is actively working on publishing his second novel.

A lifelong fan of watching movies and talking about them endlessly, he writes reviews and analyses on his Instagram page dedicated to cinema, and occasionally on his blog. His favorite filmmakers are Andrei Tarkovsky and Charlie Chaplin. He loves modern Mexican cinema and thinks it's tragically underappreciated.

Other interests of Diego's include reading, gaming, roller coasters, writing reviews on his Letterboxd account (username: DPP_reviews), and going down rabbit holes of whatever topic he's interested in at any given point.

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There are spoilers ahead for the climax of each entry!

Several of the greatest animated films of all time have likewise delivered some of the most exciting, dramatic, and memorable climaxes in film history. Animation is, after all, a practically limitless medium, capable of visually achieving practically anything a filmmaker can set their mind to. Indeed, many artists throughout history have taken full advantage of animation's boundless potential.

Whether it's a deeply emotional third act like the one in The Iron Giant or a grand, exciting final battle like that of Wildwood, the best animated movie climaxes in history are proof that artists really can achieve pretty much anything through this unique medium. Not coincidentally, these happen to be among the most riveting and widely beloved animated movies in the history of the Seventh Art.

'The Iron Giant' (1999)

The giant flying in the climax of 'The Iron Giant' Image via Warner Bros. Pictures

After writing Matthew Robbins' 1987 sci-fi dramedy Batteries Not Included, Brad Bird made his directorial debut with The Iron Giant, now remembered as one of the most perfect animated movies of all time. Based on the novel The Iron Giant by Ted Hughes, it's about a boy who befriends a large alien robot and tries to protect him from a paranoid American government agent during the Cold War.

The whole film is substantially different from the source material, which only ends up working in its favor throughout—including during the deeply emotional and irresistibly exciting climax. After the Giant's built-in lethal defense protocol takes over, Hogarth manages to calm him down. However, a nuclear missile is sent their way, so the Giant decides to sacrifice himself to save the town. It's impossible to not grow profoundly fond of these characters as the story goes on; and as such, it's impossible not to be moved to tears by this whole third act.

'Perfect Blue' (1997)

A distressed woman with blood on her face in Perfect Blue. Image via Rex Entertainment

People who look down on animation as a medium inferior to live-action have clearly never experienced the works of Satoshi Kon, whose Perfect Blue is one of the best animated thriller movies in history. Loosely based on Yoshikazu Takeuchi's novel Perfect Blue: Complete Metamorphosis, the film follows a former pop idol who transitions to a serious acting career, but begins to lose her grip on reality as an obsessed stalker starts to close in on her.

After it's revealed that the mastermind behind Mima's suffering was always her manager, Rumi, a psychotic Rumi begins to chase Mima with the intention of murdering her. It's an incredibly intense and adrenaline-pumping climax, with some of the most stunning visuals and most frenetic editing of any anime movie in history. Mima managing to assert control of her identity, choosing to save Rumi's life, is a deeply satisfying moment that finally grants audiences a chance to breathe.

'Shrek 2' (2004)

Human Shrek standing on the shoulder of Mongo the giant gingerbread man in Shrek 2 Image via DreamWorks Pictures

Just because the whole Shrek franchise has become the subject of endless memes as the years have passed, people shouldn't allow themselves to forget that this is one of the most groundbreaking animated movie series in history. As for Shrek 2, where Shrek and Fiona travel to see the princess' skeptical parents after returning from their honeymoon, it's genuinely one of the greatest animated comedies in film history.

Sure, it's one of the funniest fantasy movies of all time, but it also knows exactly when to get seriously emotional—and exactly when to get grand and exciting. The film's climax sees Shrek and the gang storming the castle of Far Far Away to save Fiona from the Fairy Godmother and Prince Charming's lies, all to the beat of a legendary rendition of Bonnie Tyler's "Holding Out for a Hero." It's a climax as exciting as it is funny, charming, and genuinely emotional.

'Akira' (1988)

Tetsuo Shima sitting on a throne with a metal hand looking evil in Akira. Image via Toho

Based on his own 1982 manga, Katsuhiro Otomo's Akira is one of the most important and highly influential anime films in history, having greatly helped popularize Japanese animation in the Western world. It's a cyberpunk masterpiece set in a futuristic dystopian Neo-Tokyo, where a teenage biker gang leader must race to save his best friend from a secretive military experiment.

All in all, Akira is one of the most perfect animated movies of the 1980s, and that includes a climax that's beyond iconic and beyond viscerally tense. Consumed by his pain and ego, Tetsuo mutates into an all-engulfing monster, engulfing Neo-Tokyo in a blinding light and birthing a new universe. Visually stunning and tragic to the core, it's a thematically and emotionally dense climax that's impossible to look away from.

'Prince of Egypt' (1998)

Moses leading a group of scared people in the Prince of Egypt Image via DreamWorks Animation

In the 21st century, DreamWorks Animation properly established itself as one of Hollywood's animation studio titans, but they were already making masterpieces as far back as 1998. The Prince of Egypt is one of the best animated movies in film history, an epic musical about the adopted Egyptian prince Moses discovering his hidden Hebrew heritage, and being chosen by God to liberate his enslaved people from his Pharaoh brother.

It's one of the most enrapturing Biblical stories ever conveyed on the big screen, and proof that faith-based cinema can be absolutely masterful and universally endearing. Its climax is the same as that of the Book of Exodus, with Moses parting the Red Sea and rushing his people through with the Egyptians hot on their heels. On top of having some of the most gorgeous visuals of any climax from any 20th-century animated film, this whole sequence is also one that's surprisingly tragic and poignant for a family film.

'Puss in Boots: The Last Wish' (2022)

Death voiced by Wagner Moura in Puss in Boots: The Last Wish Image via Universal Pictures

After the success of the Shrek franchise, a spin-off didn't take long to materialize. 2011's Puss in Boots, however, is often remembered as one of DreamWorks' middle-of-the-road efforts. Puss in Boots: The Last Wish, on the other hand, is one of their best efforts to date, following Puss' journey to find the mythical Wishing Star in order to restore his eight lost lives while being hunted by Death itself.

There's a wide variety of reasons why The Last Wish is one of the best animated films of the 2020s so far, not least of which is its electrifying climax. A fight between the film's various main characters, a final duel between Death and Puss, and some of the most stunning and vibrant visuals of any animated feature in history. What more could any fan of the medium possibly ask for?

'Toy Story 3' (2010)

Buzz reaches out his hand to someone off-camera as he and Jessie look sad and scared in Toy Story 3. Image via Walt Disney Studios Motion Pictures

Back in 1995, Pixar revolutionized the film industry as a whole with the release of Toy Story, the first feature film ever created entirely through CGI. But as incredible as it and Toy Story 2 are, it's Toy Story 3 that's regarded by many as Pixar's best film to date. In it, Andy's toys are accidentally donated to a daycare center before he leaves for college, forcing the gang to execute a daring escape to return to their owner.

Before one of the most perfect movie endings of the 2010s comes one of the most perfect movie climaxes in animation history: After escaping from the daycare, the toys are trapped and taken to the city landfill. They're almost incinerated after Lotso betrays them, only to be rescued at the eleventh hour by the Little Green Men. It's arguably the darkest, scariest, and saddest climax of any Pixar film, followed by an absolutely triumphant (and perfectly excusable) deus ex machina and a denouement that's just as spotless.

'Wildwood' (2026)

Alexandra looking at fire in final battle of 'Wildwood' Image via Fathom Entertainment

It took LAIKA, the undisputed masters of modern-day stop-motion animation, a whopping 16 years in total to adapt Colin Melloy's fantasy novel Wildwood for the big screen. Boy, was the wait worth it. The film follows Prue, who ventures into a magical forest after her baby brother is abducted, finding herself caught up in the midst of a brewing civil war.

Recency bias be damned: Wildwood can already very reasonably be called one of the best animated fantasy movies in history. Much like the greatest epic fantasy films, it ends with a momentous final battle and the emotional and thematic culmination of both the protagonist's and the villain's journeys. With some incredible music, excellent writing, and animation that's genuinely jaw-dropping from the beginning to the end of the sequence, it single-handedly makes the price of admission worth every penny.

'Ratatouille' (2007)

Anton Ego (Peter O'Toole) enters a flashback of his childhood after eating ratatouille in 'Ratatouille' (2007). Image via Walt Disney Studios Motion Pictures

Regarded by many animation fans as Pixar's best outing to date, Ratatouille is one of those animated films that are perfect from start to finish. It follows Remy, a rat who dreams of becoming a gourmet chef. After finding a clumsy kitchen worker named Linguini, the two form an alliance so that Remy can secretly cook at a famous Parisian restaurant, controlling Linguini's arms by pulling on his hair. It sounds like a silly premise on paper, but Brad Bird is able to do some absolute wonders with it.

Where many family films' climaxes come in the form of cathartic final battles or moments of adrenaline-pumping suspense, Ratatouille's climax is far quieter and more subdued. With the kitchen staff having walked out in disgust after Linguini's confession that Remy has been cooking the whole time, Remy assembles his rat friends and family to help him cook a simple Ratatouille for extra-strict critic Anton Ego. Taken back to his childhood by the dish, Ego is disarmed by Remy's cooking. If any animated film climax proves that you don't need to go big in order to be memorable, it's this one.

'Spider-Man: Across the Spider-Verse' (2023)

Miles Morales shoots his web in Spider-Man: Across the Spider-Verse Image via Sony Pictures Releasing

After the Oscar-winning Spider-Man: Into the Spider-Verse took the world by storm, expectations were through the roof for its sequel, Across the Spider-Verse. Thankfully, it surpassed them. It continues Miles Morales' story as the Wall-Crawler, this time following him as he journeys across dimensions and rebels against a society of Spider-People to save those he loves.

Saying that Across the Spider-Verse is one of the best animated movies of the last five years would be an understatement, just like it would be an understatement to say that it has an irresistibly exciting climax. Having learned from Spider-Man 2099 that his father's death is his inevitable "Canon Event," Miles refuses to accept it and manages to conduct a daring solo escape from Nueva York, facing hundreds of Spider-People on the way. It's easily the most thrilling, visually impressive, best-scored, thematically charged, and emotionally enthralling climax of any animated film in history.

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Cast
Hailee Steinfeld, Shameik Moore, Brian Tyree Henry, Luna Lauren Velez, Jake Johnson, Oscar Isaac, Jason Schwartzman, Issa Rae, Daniel Kaluuya, Karan Soni, Shea Whigham, Greta Lee, Mahershala Ali, Amandla Stenberg, Jharrel Jerome, Andy Samberg, Jack Quaid, Rachel Dratch, Ziggy Marley, Jorma Taccone, J.K. Simmons, Donald Glover, Elizabeth Perkins, Kathryn Hahn, Ayo Edebiri

Runtime
140 minutes

Director
Justin K. Thompson, Joaquim Dos Santos, Kemp Powers

Writers
Dave Callaham, Christopher Miller, Phil Lord

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