‘Trick ’r Treat’s Sam Is Officially Back With New Release

Hannah covers horror, sci-fi, and games at Collider, where she writes news and features, reviews new releases, and interviews the people who make them. She’s helping build out Collider’s gaming coverage, with Pokémon as one of her specialties. If she isn’t writing about a monster, she’s probably watching one on a tape from her VHS collection.
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Halloween has plenty of horror icons, but Sam has a special way of making sure everyone respects the holiday. Trick ’r Treat’s pint-sized enforcer looks almost harmless in his orange pajamas and burlap mask, at least until someone decides the rules don’t apply to them. Michael Dougherty’s horror anthology helped turn the character into a Halloween staple, giving fans another reason to be suspicious of anyone arriving at the door with a candy bag.
Sam’s story, however, began long before Trick ’r Treat. Dougherty first introduced him in Season’s Greetings, a four-minute animated short he created as an NYU film student in 1996. Thirty years later, the filmmaker is celebrating that original incarnation with a project that gives his little trick-or-treater plenty of new places to cause trouble.
Dougherty has launched SAM: THE SOUL OF HALLOWEEN, a new creative home for the character featuring original short films, animation, artwork, artist collaborations, and limited-edition merchandise. Beginning October 1, Sam’s official website and social channels will roll out new content throughout the Halloween season. The launch also coincides with October screenings of the newly restored 4K edition of Season’s Greetings at more than 30 festivals and independent theaters.
Collider Exclusive · 8 Questions · 2 Minutes What Is Your Biggest Horror Nightmare? Elm Street · Chucky · Scream · The Conjuring
Four horror franchises. Four completely different ways of scaring you. One waits until you fall asleep. One makes sure nobody believes you. One is already in your group of friends. And one is in the house with your family. Answer eight quick questions about how you actually watch horror, and find out which nightmare was built for you.
😴Elm Street(Freddy Krueger)
🧸Chucky(Child's Play)
📞Scream(Ghostface)
🕯️The Conjuring(The Warren Files)
01
Which horror scene makes you cover your eyes? Four classic images. One of them is worse than the others for you.
02
You are home alone and you hear a noise. First thought? Everybody has one. It arrives before you have decided anything.
03
Which horror movie rule would you break first? Everybody thinks they would survive. Almost nobody actually does.
04
Something genuinely frightening happens. What do you do? Not in a film. In your actual living room, tonight.
05
How do you actually watch a horror film? Be honest about this one. Nobody is checking.
06
Somebody offers you serious money. Which do you still refuse? The amount does not matter. There is one on this list you are not doing.
07
Which feeling stays with you a week after the film? Good horror does not stop when the credits do.
08
Something wakes you at 3am. What is the worst possibility? Eight questions in, this is the one that decides your nightmare.
The Lights Just Went Out Your Nightmare Is…
Four franchises, four completely different ways of getting underneath your skin. This is the one built out of your particular fear, why it works so well on you, and what it would leave behind.
Elm Street
Your nightmare does not wait outside the door. It waits for you to close your eyes, which you are going to have to do eventually, because nobody has ever won that particular argument.
- Freddy is horror's cruellest idea: a threat that lives in the one place you cannot guard, cannot lock, and cannot avoid forever.
- You are the one who is fine during the film and wide awake at two in the morning. Your own head is where this does its damage.
- These films understood exhaustion as a horror engine. The kids on Elm Street do not lose because they are weak. They lose because they are tired.
- You can lock every door in the house. You still have to sleep.
Chucky
Your nightmare is not really the doll. It is the face of the person you tell, and the way they decide, very kindly, that you have imagined all of it.
- Chucky works precisely because he is absurd. That is the trap: the more accurately you describe him, the less anybody is going to believe you.
- You are the one shouting at the screen because the characters are not listening. You know that feeling from real life too.
- The franchise is at its best when the adults in the room are the real obstacle, and you have met those adults.
- By the time somebody finally believes you, you will have handled most of it on your own.
Scream
Your nightmare has your number, knows your name, and has almost certainly been inside your house before. The worst part is that you already know them.
- Scream is the only one of these where the killer takes the mask off and turns out to be somebody who was at the party.
- You are the person who calls the twist out loud before it lands. You watch people the same way you watch films.
- The franchise made the rules of horror part of the plot, which means the survivors are the ones paying attention. You would be paying attention.
- Everybody is a suspect, including the person who just offered to walk you home.
The Conjuring
Your nightmare is not really about you. It is about the people asleep down the hall, and the feeling that whatever is here is not interested in leaving.
- The Conjuring films are domestic horror. The house, the family, the perfectly ordinary room that quietly stops feeling ordinary.
- Your instinct is to get everybody into one room. Your fear is protective rather than personal, which is rarer than it sounds.
- This is the one franchise where belief is the weapon. The people who come through it are the ones who are not alone and refuse to be.
- Whatever is here did not come for you. It came for the household, and you are the one standing in the hallway.
Michael Dougherty Is Taking Sam Back to His Animated Roots
The project brings together artists and filmmakers working across traditional and digital animation, stop-motion, illustration, sculpture, and photography. October’s contributors include Breehn Burns, Steven Rhodes, Christopher Shy, Trent Shy, Michael Ballif, and several others, with surprise collaborations still to be announced. Each collaborator will bring their own interpretation of Sam to the project, giving the character room to move between different styles and stories. For Dougherty, that freedom connects directly to the character’s beginnings. The filmmaker described the anniversary as an opportunity to revisit the independent, handmade spirit of his original short, while emphasizing that Sam’s best-known movie is only one part of his history. As he explained in the announcement:
“Trick ’r Treat obviously became a huge part of Sam’s story, and I remain incredibly proud of that film. But Trick ’r Treat wasn’t the first chapter in Sam’s story, and it won’t be the last. It really started with this weird little hand-drawn animated short I made as a film student. And for the 30th anniversary, it felt like the perfect time to go back to those roots — handmade, independent and artist-driven — and see where Sam might wander next.”
The anniversary screenings will bring that first chapter back to audiences throughout October. Participating venues and festivals include Screamfest in Los Angeles, Brooklyn Horror Film Festival, Chicago’s Music Box Theatre, the Texas Theatre in Dallas, Vancouver Horror Show, and Telluride Horror Show. Additional screenings will be announced as the celebration continues.
New SAM: THE SOUL OF HALLOWEEN content started today, with releases and Season’s Greetings screenings continuing throughout the month.
- Release Date
- December 9, 2007
- Runtime
- 82 Minutes
- Director
- Michael Dougherty
- Writers
- Michael Dougherty
- Producers
- Bryan Singer
KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.