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5 Classic Movies Based on Comic Strips

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Derek is the Training Lead for ScreenRant. Before his current position, he spent 20 years working in games, TV, and film while also writing for several entertainment sites.
Derek is also the co-host of three pop culture podcasts: Across the Omniverse, The Bad Batch, and Watch Men.

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Newspaper comics have been a staple of the medium since before Superman put on his cape and Captain America picked up his shield. Without the likes of Mutt and Jeff, Dixie Dugan, and many more, the comic book would not exist. Literally. The first "modern" comic book, The Funnies, was little more than a reprint of newspaper strips, launching an entire industry that has continued to evolve through good times and bad.

Amazingly, there aren't that many movies based on comic strips, and even fewer live-action ones. Of the ones that do exist, many of them are, to be blunt, not that good. Have you seen Brenda Starr with Brooke Shields and Timothy Dalton? Oof. But a few have managed to take the magic of the strips and transport it to celluloid, creating something special, even if they didn't get the recognition they may have deserved when they first hit theaters.

These comic strip movies have found their fans, and some have even become considered straight-up classics, while others are given the honorable designation of cult classic. Whatever the case, they have broken out of the moment they were born of and continue to find new fans year after year, ensuring that their legacies live on.

Dick Tracy Wore Its Heart On Its Yellow Sleeve

Created by Chester Gould, Dick Tracy made its debut eight years before Batman, but without the Dark Knight's own adventures on the big screen, the square-jawed detective never would have gotten his own movie. It was the massive success of 1989's Batman that made Disney — via Touchstone and Buena Vista — take a chance on Warren Beatty's passion project. The legendary actor took it on himself to not only star in the movie, but direct it as well, and he pulled in some famous friends to help him bring Dick Tracy to life.

While Beatty played the hero, the heavies were played by a cavalcade of icons, including Al Pacino, Dustin Hoffman, and Madonna. Vittorio Storaro, who had won three Oscars for his cinematography, costume designer Milena Canonero, and set designer Rick Simpson were brought in to make the movie look amazing, sticking to Beatty's wish that the film only use primary colors and make them bright. For the amazing makeup, the production turned to John Caglione Jr. and Doug Drexler, who did their best to recreate the monstrous looks of the criminals from the strip and succeeded.

Dick Tracy tends to get a fair amount of flack these days, and is often remembered as being a bomb, but the opposite is true. While the movie was met with mixed reviews, it made more than three times its budget at the box office and earned seven Academy Award nominations, winning three. The movie itself is a little on the slow side, but the artistry of it can't be ignored. Watching Dick Tracy is like seeing a comic strip come to life.

Popeye Was Made At Just The Right Moment

Some movies could only be made at a specific point in history, and Popeye may be the best example. Robin Williams and Shelley Duvall — playing Popeye and Olive Oyl — look like they were pulled directly from creator E.C. Segar's mind and turned flesh just for this movie, as does every actor that appears in the movie. And Robert Altman, best known for his love of overlapping dialog, big casts, and laissez-faire filming style, perfectly captures the Depression Era feel of the comic strip. While the classic Fleischer Studios cartoons kept the focus on Popeye, Olive Oyl, and Blutto, Altman brought in the almost Simpsons-sized supporting cast, making Sweethaven feel like a living, breathing town (which is kind of is. You can actually go visit the sets, which are still standing off the coast of Malta!)

Popeye jumps into the comic strip waters head first, never shying away from the absurdity of Segar's characters, building a movie that looks and feels like nothing that came before or after it. And the songs created by Harry Nilsson are, as the kids like to say, all bangers. The movie feels like a fever dream, with an energy that can only be captured through copious amounts of cocaine use — which, according to former Paramount Pictures CEO Barry DIller, was exactly how the movie was made.

Illicit drug use aside, Popeye was initially met with bad reviews, but managed to be a box office success. And, as time has passed, the film has been reappraised, as viewers and critics have been able to look at it not as a live-action version of the famous cartoons, but a proper representation of Segar's comic.

Flash Gordon Saves The Universe While Winking At The Audience

The Flash Gordon newspaper strip, created by Alex Raymond, was a sci-fi action/drama that was light on jokes and heavy on serious storytelling and amazing art. But when it came time to bring the famous hero to the big screen, writer Lorenzo Semple Jr. and director Mike Hodges took a page from the classic '60s Batman series and go camp. At the time, it seemed like a bad idea: the movie was a bomb at the box office.

But Flash Gordon found new life on cable and the then new concept of video rentals. The movie's quick style, tongue-in-cheek attitude, and unbelievably amazing music by Queen helped turn things around, and it soon gained a cult following. Edgar Wright used the movie as inspiration for the look of his own cult classic, Scott Pilgrim vs. the World, artist Alex Ross claims it is his favorite movie of all time, and Seth MacFarlane showed his love for the movie by making it a recurring plot point in Ted, even having Flash Gordon himself, Sam J. Jones, show up in both movies as himself.

Flash Gordon is a campy, fun time with some amazing visuals, and the only way you will ever see Brian Blessed, an Officer of the Order of the British Empire in short feather shorts with big wings and a huge helmet. The legendary actor isn't eating the scenery, he's devouring it, and the movie is all the better for it.

Addams Family And Its Sequel Are Enduring Classics

When it comes to directorial debuts, Barry Sonnefeld hit it out of the park with The Addams Family. The movie, starring Anjelica Huston, Raul Julila, Christina Ricci, and Christopher Lloyd, has more in common with the 1960s TV series than the single-panel comic strips by Charles Addams, but still captures the essence of his work. The movie, which never shies away from the weirder aspects of the characters, but never seems to judge them either, feels like a living cartoon. And the cast is unbeatable. Not only are Julia and Huston the perfect Gomez and Morticia Addams, but Ricci is so amazing as Wednesday Addams that it made her a household name and is the reason Netflix and Tim Burton were able to turn the character into a hit show.

Critics were mixed on The Addams Family, but audiences weren't. The film was a massive success, bringing in over five times its budget. Unsurprisingly, a sequel, Addams Family Values, was made. Surprisingly, Addams Family Values somehow surpasses the first movie. The comedy is darker, and the additions of Joan Cusack and Carol Kane to the cast is pure genius. Addams Family Values did better with critics, but was nowhere near as big a hit at the box office, barely making its budget back. But, in the decades since it was released, it has become the one fans love most.

Annie Had A Hard Knock Box Office Return

Based on the hit stage musical that itself was based on the Harold Gray comic strip, Annie was set to be a big hit at the box office. And it was, becoming the 10th highest grossing movie of 1982. But the film's large budget couldn't be overcome, making it a box office failure in the long run. Of course, that hasn't stopped the movie from becoming a classic that has been remade twice.

Annie is better remembered for its soundtrack, most notably the songs "Tomorrow" and "It's the Hard Knock Life," but the movie itself is a spectacle, with sets, costumes, and dance numbers that still look amazing today. While it may not have as vocal a fanbase as many other classic movies, it still holds a special place in the hearts of everyone who saw it as a child. And Carol Burnett's turn as Miss Aggy Hannigan, the evil owner of the orphanage that poor Annie finds herself in, is unbeatable.

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