El ComercioIrán busca evitar una nueva guerra con EE.UU.: ¿qué concesiones nucleares estaría dispuesto a hacer?PunchASUU awards N1.1m scholarships to 11 UI studentsDaily MaverickYemen’s Houthis deny launching drone after coalition reports interception in Mecca regionInquirer5,000 security troops fielded for Undas in Zamboanga PeninsulaInquirer EntertainmentKris Aquino on relationship with Marcoses: ‘They’ve been very respectful’CNN TürkFon yatırımcısına ara ödeme başlıyor: Öncelik hangi fonların, üst sınır ne?The Jerusalem PostFrance reimposes restrictions on Israeli defense firms at Euronaval 2026ESPNTransfer rumors, news: Man United eye move for Leeds' Calvert-Lewin in JanuaryBollywood HungamaMohit Malik on playing Birju Lohar in Mirzapur The Movie: “We cannot approach a character by simply deciding whether he is good or bad”Straits Times SportCosmic Speed will be hard to catch in Race 7ZDF heuteAktuelle Pressemitteilungen des ZDF20 MinutenGanz ruhig klaut diese Barbesucherin eine Tischlampe
The Daily Newsstand · Free, Always
Friday, October 30, 2026

Annecy Winner ‘The Violinist’ Found Its Italian Co-Producers at Tokyo Market, Director Ervin Han Tells Anime Co-Production Panel

Translate

A meeting at TIFFCOM in 2023 brought Italian co-producers to “The Violinist,” the animated feature that went on to win the top prize at France’s Annecy International Animation Film Festival this year, Singaporean filmmaker Ervin Han told a panel at the Tokyo market.

Han, co-founder and CEO of Singapore’s Robot Playground Media, spoke at “Anime’s New Frontier: Structuring & Financing International Co-Productions,” a session at TIFFCOM, the content market of the Tokyo International Film Festival. Speakers agreed that international anime co-productions work best when overseas partners are involved early, with financing, deal structures and rights management considered from development through release. Kawano Masao, program manager at Into Global, moderated.

Han co-directed and produced “The Violinist.” On his first TIFFCOM visit, he met Italian producer Cristiano Bortone and his team at Altri Occhi, who later joined the film as co-producers. This year, Han returned as producer to pitch “A Banquet for Hungry Ghosts,” an animated feature about food, horror and temptation, with partners from Singapore, Taiwan, Malaysia and Ireland.

Han described “The Violinist” as a story of friendship over a decade. The film itself also took 10 years from conception to completion. “With different roles in my projects, I find promotion is even more challenging than production,” he said.

Ilan Urroz, CEO of France’s Foliascope, said co-production itself was nothing new and stressed the importance of platform partnerships, pointing to France’s investment obligations for streaming services. Under French rules, streamers must put at least 20% of the revenue they earn in France into European or French-language original film and audiovisual production, rising to 25% for some services that offer films within 12 months of their theatrical release. The rule applies to animation as well as other genres. Urroz named Netflix, Disney+, Crunchyroll, Prime Video and HBO Max as the leading platforms in France.

Sakurai Taiki, CEO of Salamander Inc., drew on more than 25 years in anime and over 100 titles to stress the importance of people and talent. “Partners are the key to success,” he said.

Asked how to find co-production partners, Urroz said, “Be creative, and don’t forget that every project is also a journey of a group of people.”

View the original on Variety →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.