ESPN'She never stopped encouraging me': How Dawn Staley refused to let hearing loss hinder Ayla McDowellThe Jerusalem PostIDF kills two Hamas terrorists who participated in Oct. 7 massacre, held Israeli hostagesInquirerVeloso’s mom in disbelief after Marcos’ absolute pardonESPN DeportesRaphinha explica cómo Flick le cambió la vida: "Me iba a ir del Barcelona"Daily MaverickCriminal Syndicate: Hawks official arrested for kidnappings linked to Gqeberha prosecutor murder accusedBollywood HungamaEXCLUSIVE: Lust Stories 3 producer Ashi Dua says they expected a “serious” story from Kiran Rao; reveals multiple ideas from Vikramaditya Motwane, Shakun Batra; calls Vishal Bhardwaj a “complete trooper”Collider'Daredevil: Born Again' Star Officially Reacts to Shock Disney+ CancellationThe IndependentPolice watchdog says Met should investigate itself over arrest of 'Putney pusher' suspectABC NewsTracking the nor'easter: Your forecast for this weekendLa PresseContre Mark Carney et le roi Charles III | Un homme de Québec accusé de menaces de mortRai NewsVela, è di Arc il primo successo della Louis Vuitton Cup: il video dell'arrivo7sur7Menaces de crues catastrophiques: un nouvel ouragan s’approche d’Hawaï
The Daily Newsstand · Free, Always
Friday, September 25, 2026

Tim Blake Nelson’s ‘The Life and Deaths of Wilson Shedd,’ Jesse Eisenberg’s ‘The Debut’ Among Rome Film Festival Standout Titles

Translate

Tim Blake Nelson’s prison saga “The Life and Deaths of Wilson Shedd,” Diego Luna’s migration drama “Ashes,” Boots Riley’s anticapitalist satire “I Love Boosters,” and Jesse Eisenberg’s latest film “The Debut” are among standout international titles that will launch into Italy at the upcoming Rome Film Festival.

As previously announced, the 21st edition of the fest – which has a large Italian cinema component and will run Oct. 13-25 in the Italian capital – will open with “Perfect Strangers” director Paolo Genovese’s latest concept movie “Il Rumore Delle Cose Nuove” about three Milanese couples whose lives become intertwined by an unexpected event.

Though most non-Italian titles screening in Rome have previously surfaced on the festival circuit, the lineup does include a smattering of world premieres. These include Alexandre Castagnetti’s contemporary, French-language reimagining of 19th century classic “The Phantom of the Opera” starring Deva Cassel, Julien De Saint-Jean, and Romain Duris; and Bille August’s long-gestating post-second World War drama “Me, You” with Tim Roth, Sonia Ammar and Laura Morante.

As previously announced, Javier Bardem will be honored with a lifetime achievement award. The Oscar-winning actor will present a screening of Spanish director Rodrigo Sorogoyen’s “The Beloved” (“El ser querido”) that is being showcased in the event’s best of the fests section.

That section also includes French epic “De Gaulle,” directed by Antonin Baudry, that premiered out of competition at Cannes; Simon Stone-directed “Elsinore,” the true story of Ian Charleson, the Scottish “Chariots of Fire” star who played Hamlet at London’s National Theatre as AIDS was quietly taking his life; Fatih Akin’s “Ghost Song” that opened San Sebastian; and Peter Farrelly’s crowdpleaser “I Play Rocky” about the making of the classic 1976 sports drama.

Also, as previously announced, Susan Sarandon will be honored by the Rome Film Festival’s independently run Alice in the City sidebar, which is dedicated to films for children and youth.

Sarandon will be attending the Eternal City fest to promote the international launch of “Silicon Valley” star Zach Woods’ feature film debut “The Accompanist,” in which she stars; and to receive the event’s Womenlands Excellence Award dedicated to outstanding Italian and international women who distinguish themselves in the worlds of culture, entertainment and activism.

British producer Tessa Ross, co-CEO of London-based House Productions, whose credits include “Conclave” and, more recently, Danny Boyle’s “Ink” will receive the fest’s industry lifetime achievement award.

View the original on Variety →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.