InquirerJeepney driver tests positive for drugs ahead of Undas in La UnionCNN TürkTrabzonspor’da Nwaiwu’ya Premier Lig kancasıThe Jerusalem PostEgyptian foreign minister 'extremely worried' US-Iran escalation will have major impact on MideastPunchSowore demands sanctions as Ikogosi Marathon bars him from 2026 editionEl ComercioVer, Chelsea vs Manchester United en vivo: horarios y canales TV del partido por la Premier LeagueESPNTransfer rumors, news: Alexander-Arnold to return to Liverpool?ZDF heuteEntdecken Sie das ZDF-NachrichtenstudioUOLSignos: confira seu horóscopo deste sábado (31)ColliderBrad Pitt's Gritty War Thriller With Jon Bernthal Is Officially a Global Streaming SmashFootball ItaliaMilan vs Inter: probable line-ups and where to watch on TV20 MinutenMit 16 hackte er die SBB – jetzt hat Jordan seine eigene FirmaThe Sydney Morning HeraldRugby League World Cup LIVE: Cook Islands hit back to lead Kangaroos
The Daily Newsstand · Free, Always
Saturday, October 31, 2026

Netflix's 62-Episode 'Lost Meets The Leftovers' Sci-Fi Series Is A Mystery Box Masterclass

Translate

Dhruv is a Lead Writer in Screen Rant's New TV division. He has been consistently contributing to the website for over two years and has written thousands of articles covering streaming trends, movie/TV analysis, and pop culture breakdowns.
Before Screen Rant, he was a Senior Writer for The Cinemaholic, covering everything from anime to television, from reality TV to movies.
After high school, he was on his way to become a Civil Engineer. However, he soon realized that writing was his true calling. As a result, he took a leap and never looked back.

Sign in to your ScreenRant account

Mystery box thrillers are incredibly compelling in the beginning, but their formula can often backfire. Even some of the best mystery box shows like Lost and The Leftovers have suffered because their ambition outweighed their ability to offer closure. Owing to this, it is hard not to deny that even executing a consistently engaging mystery box narrative is not an easy feat.

One of Netflix's better supernatural dramas, Manifest, seems to have mastered the art of laying out one mystery after another without ever turning viewers off. Interestingly, NBC was Manifest's network home before it was canceled after a three-season run. This is when Netflix stepped in and rescued the series, allowing it to last for one more season.

The show has performed so well on Netflix that the streaming service has also ordered its spin-off, Arrivals: A New Manifest Mystery. In terms of critical reception, Manifest is not exactly among the best supernatural dramas of our time. It does, however, deserve kudos for knowing how to consistently keep viewers intrigued by its story.

Love It Or Hate It, Manifest Knows How To Keep Viewers Glued To Their Screens

Melissa Roxburgh as Michaela Stone struggling to climb through a plane aisle in Manifest. Credit: MovieStillsDB

Lost pioneered modern day mystery box storytelling. It constantly expanded its mythology and, at times, did not even bother looking back at some of its unresolved mysteries. Manifest matches Lost's ambition and approach in the sense that it features everything from interconnected character backstories and compelling religious mythological symbolism.

Unlike Lost, however, Manifest takes a more organized approach towards mystery box storytelling. It introduces a fixed set of narrative devices that drive its ever-growing set of mysteries. For instance, it features the "Calling" protocol, which is a mysterious hallucination that gives its characters a purpose in each episode.

Question 1 of 3

The "Death Date" is another narrative engine in the series that drives its stakes. Manifest places a fixed deadline on every puzzle or mystery through the established "death date," which ensures viewers have something to look forward to.

Instead of randomly pulling out one trick after another from its hat, Manifest also carefully ties every overarching mystery to the central phenomenon (Flight 828). With this, the show maintains a semblance of continuity and internal logic instead of descending into complete chaos.

Manifest Runs Its Plot A Little Too Thin, But It's Still Extremely Addictive

Angelina (Holly Taylor) with a glowing blue light on her face in season 4 of Manifest.

Similar to Lost and The Leftovers, Manifest, too, has its own set of issues. There are times when it relies on over-exposition, especially when its characters explain their "Callings" to others. Even its recurring buzzwords that give it a sense of structure become increasingly redundant after a point.

Since the show packs a lot of story beats in its runtime, it even, at times, ends up forgetting the golden storytelling rule of showing and not telling.

Yet even when its lore begins to inflate and its "Calling of the Week" format begins to wear out, Manifest never loses its grip on giving viewers the gratification they seek. More often than not, it promises to provide explicit answers to its mysteries and also gradually delivers on the promise.

Even when it comes to its characters, Manifest carries an earnest moral core where it avoids being too cynical. In fact, even its core concepts like "Lifeboat" and "Callings" are all about the importance of empathy and forgiveness.

Like The Leftover and Lost, Netflix's Manifest is far from being perfect, but it delivers exactly what one expects from a mystery box drama and barely leaves any dull moments in its 62-episode runtime.

etemcphrgllkrxosnrhyezha7h9.jpg
Manifest
ScreenRant logo

6/10

Release Date
2018 - 2023-00-00

A supernatural drama series created for NBC, Manifest is an investigation of a fictional flight, Montego Air Flight 828, that went missing for five years after a moment of turbulence in the sky. However, the passengers and crew only felt a moment pass despite the rest of the world assuming they were all gone. The "survivors" now try to reacclimate to society as the world has moved on without them - but voices from beyond seem to beckon them somewhere unknown.

Network
NBC, Netflix

Cast
Josh Dallas, Danielle Dallacco, Melissa Roxburgh, KeiLyn Durrel Jones, Athena Karkanis, J.R. Ramirez, Luna Blaise, Jack Messina, Parveen Kaur, Matt Long, Holly Taylor, Daryl Edwards, Ty Doran, Hunter Jones, Will Tomi, Christopher Piccione, Lynn Marocola, Ariana Jalia, Susan Pourfar, Colin Critchley, Jim True-Frost, Erika Rolfsrud, John Wojda, Thursday Farrar, Allyson Kaye Daniel

Showrunner
Michael Smith

Directors
Romeo Tirone, Michael Smith, Claudia Yarmy, Dean White, Marisol Adler, Craig Zisk, Joe Chappelle, Paul Holahan, Ramaa Mosley, SJ Main Muñoz, Sherwin Shilati, Andy Wolk, Bosede Williams, Cheryl Dunye, Constantine Makris, David Frankel, Félix Enríquez Alcalá, Jean de Segonzac, Laura Belsey, Millicent Shelton, Nathan Hope, Nicole Rubio, Ruba Nadda, Tawnia McKiernan

Writers
Jeff Rake, Laura Putney, Margaret Easley, MW Cartozian Wilson, Simran Baidwan, Matthew Lau, Ezra W. Nachman, Bobak Esfarjani, Marta Gene Camps, Darika Fuhrmann, Matt K. Turner, Sumerah Srivastav, Jeannine Renshaw, Amanda Green, Ryan Martinez, Margaret Rose Lester, Eric Haywood

Main Genre
Drama

Creator(s)
Jeff Rake

Executive Producer(s)
Jack Rapke, Robert Zemeckis

Producers
Robert Zemeckis

Seasons
4

Story By
jeff rake

Streaming Service(s)
Netflix, Prime Video

View the original on Screen Rant →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.