RTP DesportoI Liga. SC Braga-Gil VicenteDaily MaverickDIGITAL POLITICS OP-ED: Borders, ballots, court clashes — how the anti-immigrant movement is setting SA’s elections agendaThe Jerusalem PostSyrian textbooks show pan-Arab content replaced by Islamist ideology, IMPACT-se findsESPNYamal vs. Mbappé: Which Clásico star has the stronger claim to win the Ballon d'Or?ESPN Deportes¿Cómo la fecha límite de MLB llevó a Guardians a playoffs?InquirerSouth Cotabato school resumes classes after Sept. 18 gun attackBollywood HungamaBombay High Court directs makers of Tu Hai Meri Kiran to deposit Rs. 8.85 crores before releaseZDF heuteEntdecken Sie das ZDF-NachrichtenstudioThe Hollywood ReporterJon Stewart Extends His ‘Daily Show’ Run Through 2028VarietyJon Stewart to Remain ‘Daily Show’ Host Through 2028DeadlineJon Stewart Strikes Two-Year Deal To Remain As ‘The Daily Show’ Host Through To End Of 2028BellaNaijaKikelomo Atanda-Owo Celebrates 20 Years in Media Unveils Podcast With Husband Reuben Abati
The Daily Newsstand · Free, Always
Monday, October 19, 2026

Chris Addison reveals the biggest challenge behind new crime caper Tall Tales and Murder

Translate

Comedian and actor Chris Addison might be more familiar in front of the camera than behind it, but he’s actually been directing since 2012 – even if that first foray isn’t an entirely positive memory.

“The very first thing I ever directed was an episode of The Thick of It and I was also acting in it,” he says. “It was such a mind-melt. I don’t know how people do it. The notion of being in a thing and directing it – I wouldn’t jump at doing it again.”

So Addison is firmly off-camera for his new series Tall Tales and Murder, which follows two Dublin care home workers, Paul and Bridget (Casey Walsh and Ella Lily Hyland), who find themselves chased by gangsters as they hunt for missing treasure.

Based on a series of books by Caimh McDonnell – and adapted for screen by Addison and Irish screenwriter Stuart Carolan – it’s an offbeat tale stuffed with strange costumes, folklore, dry one-liners and plenty of explosions.

“There’s a little bit of Bonnie and Clyde, a little bit Treasure Hunt, Gangland, all those ingredients,” Addison says. “But it’s hard to explain what it is. I guess ‘crime caper’ is as good as anything.”

Want to see this content?

This page contains content provided by YouTube. We ask for your permission before anything is loaded, as YouTube may use cookies and other technologies. To view this content, choose 'Accept and continue' to allow YouTube and its required purposes.

Certainly, the series has an unusual visual style, with plenty of heightened sequences including an extended flashback that sees Paul and Bridget transported back in time while sitting on a hospital bed. “I had this idea for the camera kind of circling them, and the landscape changing,” Addison says. “But I had no idea how we were going to do it.

“And our brilliant key grip – a man called Richard Egan – built this contraption to put the camera on, that we put up in the old people’s home, and then subsequently put up on the Wicklow Hills three months later.

“We were always thinking, ‘Oh, this will take a bit of special effects just to flux it together.’ Nothing. It was all grain-perfect from the minute that we did it. You don’t get to do many shots that are both cool and serve the story. I loved it.”

Tall Tales and Murder begins on 3 November on BBC One.

The latest issue of Radio Times is out now – subscribe here.

RDT2644101_V06

Check out more of our Drama coverage or visit our TV Guide and Streaming Guide to find out what's on. For more TV recommendations and reviews, listen to The Radio Times Podcast

Authors

Huw Fullerton is a commissioning editor for Radio Times magazine handling comedy, entertainment and specialist drama. In a previous regeneration, he covered all things sci-fi and fantasy for RadioTimes.com.

View the original on Radio Times →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.