Olivia Colman, Alexander Skarsgård’s ‘Wicker’ takes search for husband to extreme

British singer-songwriter RAYE’s viral hit “WHERE IS MY HUSBAND!” has recently taken over the internet, specifically TikTok, as it perfectly captures the impatience, humor and occasional desperation of women waiting for their ideal partners. For the people obsessed with that song, “Wicker” starring Olivia Colman and Alexander Skarsgård could be their next suitable watch as it explores that same longing only in a more entertaining, unconventional way.

The film follows a lonely fisherwoman (Colman) who, tired of being ridiculed by her conservative seaside village for remaining unmarried, commissions a local basketmaker (Peter Dinklage) to make her a husband out of wicker. Her unusual marriage to the wicker man (Skarsgård) soon becomes a source of fascination and controversy among the villagers.

While “Wicker” may initially remind viewers of “The Bride!” (2026), it offers a more romantic and less chaotic take on unusual companionship. Beneath its bizarre premise is a story that challenges traditional ideas of marriage, femininity, societal expectations and the complicated reality of finding someone to love — or, perhaps, someone who can live up to the partner we have imagined in our heads.

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While its premise may not appeal to everyone, the film will certainly intrigue those who appreciate narratives that take an unusual approach to familiar human experiences. “Wicker” also touches on the loneliness and discrimination that unmarried women, particularly older women, face in society. The Fisherwoman is treated as an outcast simply because she does not conform to what her community considers a woman’s proper place, which serves as a reminder of how society can be quick to measure a woman’s worth by her marital status, while overlooking her desire for happiness and meaningful connection.

The performances are among the film’s strongest assets. Colman is particularly compelling, bringing warmth, vulnerability, and a touch of stubbornness to a woman who has grown accustomed to being rejected by those around her. Elizabeth Debicki is equally effective, adding an interesting edge to her character and the village’s complicated dynamics. Skarsgård also makes for an unexpectedly charming romantic lead, despite the unusual circumstances of his character.

The film is entertaining, carried by witty dialogue, fiery sequences, and an amusing blend of romance and weirdness. It does not always need to take itself seriously, which works to its advantage. Its peculiar storytelling may take some getting used to, but there is something refreshing about how it finds tenderness in such an unlikely relationship.

At the end of the day, we all long for companionship, in whatever form it might show up. “Wicker” may have an unconventional way of telling that story, but its central message is a familiar one: everyone deserves to feel loved, accepted and wanted. /ra