ESPN DeportesFrancia mantiene invicto de Zidane con remontada ante BélgicaESPNFollow live: Murakami's RBI single puts White Sox on the boardInquirerHighlights: Day 33 of Sara Duterte impeachment trial | Oct. 5, 2026Daily MaverickJUDICIAL APPOINTMENTS: JSC fills Supreme Court of Appeal vacancies amid pressure to reformZDF heuteEntdecken Sie das ZDF-Nachrichtenstudioالشرقمن الإجابة إلى التنفيذ.. وكلاء الذكاء الاصطناعي يدخلون حياة البشرAntara NewsIndonesia tightens health surveillance over suspected plague in RussiaCBS NewsTrump says he'll start paying for ads after pushback over taxpayer fundingCBS SportsSaints vs. Falcons prediction, odds, time: Week 4 'Monday Night Football' picks from proven modelColliderAmazon's Next Major Comic Book Adaptation From 'Spider-Verse' Writer Gets "Extremely Positive" Update [Exclusive]The Hollywood Reporter‘East of Eden’ Star Mike Faist on Male Ego, Love Triangles and Still Learning from Steven Spielberg東洋経済オンライン朝ドラ「ブラッサム」渡部篤郎の《モラハラ父役》にネット紛糾も…なぜか"惹きつけられる色気"と名作になる予感 | ライフ | 東洋経済オンライン
The Daily Newsstand · Free, Always
Monday, October 5, 2026

Comedians Call On Sebastian Maniscalco, SiriusXM To Restore Working-Class Comic Airplay Following Raw Dog Rebrand

Translate

Sebastian Maniscalco isn’t generally viewed as a particularly controversial comic — but he’s found himself in the hot seat this week, scrutinized over a recent SiriusXM changeover in which he’s prominently involved.

Earlier this year, as we first reported, SiriusXM replaced its long-running Raw Comedy channel (Channel 99) with the 24/7 branded channel Sebastian Maniscalco’s Comedy Radio. The announcement wasn’t an immediate lightning rod. But now, an online dialogue surrounding the change is gaining steam.

As laid out in a new piece by nonprofit Stand Up for Stand Up, this evolution of SiriusXM’s comedy programming has been harmful to working-class comics who depended on Raw Dog airplay and the royalties that came with it. What’s happened, they’ve shown, is that over 75% of total plays have become concentrated among the industry’s upper echelon of comics — living and dead — impacting passive residual income going to comics at lower levels.

Maniscalco’s new channel “is crushing middle class comedians who rely on payments from the company to pad income,” wrote comedian Matt Ruby in a Monday installment of his Substack Funny How: Letters to a Young Comedian. “Now some are fighting back. (Thanks to them!)”

Ruby linked to social posts from comics including Liz Miele and Greg Stone, who lay out the issue in full.

“This year, the Raw channel on SiriusXM became Sebastian Maniscalco’s channel. Great. Fine. Celebrities have taken over channels before. Never been an issue,” Miele says in a video posted to Instagram (view it here.)

“The problem is,” Miele explains, “Raw went from playing 800 working class comedians to now playing less than 300 celebrity comedians like Joan Rivers, Johnny Carson, Bob Hope, Norm Macdonald. Just dead comic, dead comic, dead comic, and then a plethora of very famous alive comedians that might not even know about this extra income that they’re about to receive.”

In contrast, Miele said, “every working-class comedian that has been kicked off the channel is quite aware” of the change.

“And it is devastating,” the comic says. “Because of this action, hundreds of comedians will no longer be able to have these royalties. Working class comedians, people that only make money on the road, that have no safety net, that depend on this money to just survive, are going from having that money to nothing.”

Previously, Miele said, Maniscalco was perhaps unaware of the impact that his SiriusXM rebrand is having on the broader comedy community. “But now you know, and you can help us. You can fix this. We would love to be reincorporated into the channel and start getting the streams and plays that we were getting before you took it over.”

Deadline has reached out to reps for SiriusXM and Maniscalco for comment; we’ll update the story if and when statements come in.

View the original on Deadline →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.