'9-1-1' Disappoints Fans Again With a Major Eddie Problem in Season 10

Published Nov 6, 2026, 8:39 PM EST

Jennie Richardson is a TV Features and Lists Writer for Collider, and a graduate student pursuing an MFA in Fiction Writing. In other words, she really loves stories. 

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Editor's Note: The following contains spoilers for 9-1-1 Season 10, Episode 4.9-1-1 opened its tenth season with two especially compelling storylines: a volcanic eruption and a Buddie fight. While the volcano emergency was resolved in three episodes, it looked like Buck (Oliver Stark) and Eddie's (Ryan Guzman) argument would go on for longer. On the surface, they were arguing because Eddie had given Buck parental advice that he wasn't ready to hear. The deeper issue at play, though, seemed to be that, once again, Buck and Eddie were having conflict over the more ambiguous and undefined parts of their friendship that the two have not yet been ready to put to words.

The solution here seemed to be a simple one: Buck and Eddie needed to redefine the terms of their dynamic and their places in each other's lives, whatever that may look like, because what they'd had before was no longer enough. Instead, 9-1-1's latest episode, Season 10, Episode 4, "Imposter Syndrome," wraps this argument up way too quickly with an unearned off-screen resolution. While this is disappointing for multiple reasons, it's ultimately a symptom of 9-1-1's biggest problem at the moment: every time the show sets up a substantial storyline for Eddie, it ultimately sidelines him and fails to deliver.

'9-1-1' Needs To Stop Making Every Buddie Storyline About Only Buck

Since returning from Texas at the end of Season 8, Eddie hasn't gotten a proper storyline of his own. Occasionally, 9-1-1 will lean into the fan-favorite pairing of Buck and Eddie, but every Buddie-centric storyline as of late always changes direction to become about Buck. When Buck pointed out last season that Eddie hadn't "even looked at a woman in a year" and pushed him to find someone, it looked like 9-1-1 might focus on Eddie and actually answer this question, potentially by giving him a storyline about his sexuality. Instead, the episode became all about Buck's hookups with a married couple. When the two had a fight and then got into a car accident in "Mother's Boy," the whole episode became about Eddie having to save Buck, and only Buck got to experience lingering effects from this trauma in the coming episodes.

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Collider · TV Medicine Which Fictional Hospital
Would You Work Best In? Eight questions · five wards · one assignment

Five hospitals. Five completely different ways medicine goes sideways on television: brutal, chaotic, romantic, brilliant and ridiculous. Only one of them is the ward your instincts were built for, and eight questions will work out exactly where you belong. Wards accepting

PTMCThe Pitt

CGHER

GSMGrey's Anatomy

PPTHHouse

SHHScrubs

Find your hospital

Rhythm strip01 / 08

Question 01 of 08APPROACH

01 A critical patient comes through the door. What is your first instinct? Medicine under pressure reveals who you really are.

AStay completely present. Block everything else out and work it step by step, right now. BTriage fast and delegate. Get the right people on the right problems immediately. CTrust my gut and move. I work best when I stop overthinking and just act. DAsk the question everyone else is ignoring. What is the thing that does not fit? ETake a breath, make a joke to cut the tension, then get to work. Panic helps nobody.

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Question 02 of 08MOTIVATION

02 Why did you go into medicine in the first place? The honest answer says more about you than the one you would give in an interview.

ABecause I wanted to be where it matters most, right at the edge, when a life is on the line. BBecause I wanted to help people, one patient at a time, in a system that makes it hard. CBecause I was drawn to the intensity of it: the stakes, the drama, the feeling of being fully alive. DBecause medicine is the most interesting puzzle there is, and I needed a problem worth solving. EBecause I wanted to make a difference, and also, honestly, I did not know what else to do.

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Question 03 of 08COLLEAGUES

03 What do you want most from the people you work with? Who you want beside you under pressure is who you are.

ACompetence and calm. I need people who do not fall apart when things get bad. BTrust and reliability. When I pass something off I want to know it is handled. CConnection. I want colleagues who become family, even when that gets complicated. DIntelligence and the willingness to be challenged. People who just agree with me are useless. EFriendship. People I like spending twelve hours a day with, because those hours are happening anyway.

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Question 04 of 08LOSS

04 You lose a patient you fought hard to save. How do you carry it? Every doctor who has worked a long shift has had to answer this one.

AI carry it. All of it. I do not look for ways to put it down, because that weight is part of doing this honestly. BI process it and move. You have to, or the next patient pays for the one you just lost. CI feel it deeply and lean on the people around me. Nobody is supposed to handle that alone. DI go back over every decision, not to punish myself, but because I need to know what I missed. EI grieve it, find something unrelated to laugh about, and try to be kind to myself. Imperfectly.

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Question 05 of 08STYLE

05 How would your colleagues describe the way you work? Your reputation on the floor is usually more accurate than your self-image.

AIntense and completely present. No small talk during a shift, but exactly who you want there. BSteady and dependable. Not the flashiest in the room, but never the one who drops something. CPassionate and occasionally chaotic. Brilliant on the hard cases, prone to drama everywhere else. DBrilliant and difficult. Right more often than anyone else, and everyone knows it, including me. EWarm and self-deprecating. Not the most intimidating presence, but good at this and easy to like.

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Question 06 of 08RULES

06 How do you feel about hospital protocol and procedure? Every institution has rules. What you do with them is a choice.

AProtocol is the floor, not the ceiling. I follow it until the patient needs something it cannot give. BI respect it. The system is broken in places, but the structure exists for a reason and I work inside it. CI follow it until my instincts say otherwise, and my instincts are usually right, even when they cause trouble. DRules are for people who have not thought hard enough about when to break them. EI try to follow it and mostly do, with a few memorable exceptions that still come up in meetings.

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Question 07 of 08TOLL

07 What does this job cost you personally? Nobody works in medicine without paying a price. What is yours?

AEverything outside these walls. I gave this job my full attention and the rest of my life went around it. BMy idealism, mostly. I came in believing the system could be fixed and I made a complicated peace with that. CStability. My personal life has been as chaotic as the OR, and that is not entirely a coincidence. DMy relationships. I am not easy to know, and the people who tried would probably agree. EMy sense of gravity. I use humor as a coping mechanism, which not everyone appreciates in a hospital.

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Question 08 of 08PURPOSE

08 At the end of a long shift, what keeps you coming back? The answer to this one is the most honest thing about you.

AThe fact that it is real. Nothing else I could be doing would matter this much, right now, today. BThe patients. Individual human beings who needed something and got it because I was there. CThe people I work with. I have walked through impossible things with them and I would do it again. DThe next unsolved case. There is always another puzzle, and I am not done yet. EBecause despite the exhaustion, the loss and the absurdity of it, I love this job.

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Assignment madeYou belong in

PTMC · Admitted The Pitt Pittsburgh Trauma Medical Center This ward asks whether you can stay in the room for the whole shift, and come back tomorrow.

You are built for the most unsparing version of emergency medicine television has shown, the one that puts you inside a single long shift and does not let you look away. You need your work to be real rather than romanticized, and you find your purpose inside the work itself rather than in the chaos around it. You have made peace with a job that takes from you constantly and gives back in ways that are harder to name. What this ward asks of you

• Meaning over drama, honesty over aesthetics.
• The discipline to stay present when the department is at its worst.
• A tolerance for weight that does not get put down at the end of the day.

From the Collider file

• Each episode covers roughly one hour of the same emergency-department shift, in order.
• Noah Wyle has now won the lead drama actor Emmy for it twice, in 2025 and again in 2026.
• It reunites the ER team of Wyle, John Wells and R. Scott Gemmill, thirty years on.

Fully present No romance Built to endure

CGH · Admitted ER County General Hospital, Chicago This ward asks whether you can hold the line long enough for the next person to take it.

You are the one who keeps the whole floor moving. Not the most brilliant in the room, possibly the most essential. You show up, do the work, absorb the losses and come back the next day without needing the job to be anything other than what it is. You care about patients as individual people rather than as cases to solve or dramas to live inside, and you believe in the system even on the days it fails you. What this ward asks of you

• Reliability above brilliance, every single shift.
• Faith in a structure that is visibly imperfect.
• The stamina to treat the hundredth patient like the first.

From the Collider file

• Fifteen seasons and 331 episodes, from 1994 to 2009, created by Michael Crichton.
• It holds the record for the most Emmy nominations of any drama series, with 124.
• George Clooney, Julianna Margulies and Noah Wyle all broke out of County General.

Shows up Endurance Patient first

GSM · Admitted Grey's Anatomy Grey Sloan Memorial, Seattle This ward asks whether you can do the work with your whole self in the room.

You came to medicine with everything you have, your ambition, your feelings, your relationships and your history, and you have never quite managed to leave any of it at the door. You form deep attachments to the people you work with, and your personal and professional lives stay permanently, chaotically tangled. That tangle drives both your worst disasters and your most remarkable saves, because you understand that extraordinary medicine often happens where clinical skill meets human connection. What this ward asks of you

• A willingness to feel all of it rather than seal any of it off.
• Colleagues who become family, with everything that costs.
• Comfort with mess, in the OR and everywhere else.

From the Collider file

• Shonda Rhimes' series passed ER to become the longest-running primetime medical drama on US television.
• It is on season 22, with ABC having already renewed it for a twenty-third.
• Ellen Pompeo has played Meredith Grey across three decades of television.

Feels everything Found family Beautifully messy

PPTH · Admitted House Princeton-Plainsboro Teaching Hospital This ward asks whether you can be right when everyone in the room needs you to be wrong.

You are drawn to the problem above everything: the symptom that does not fit, the diagnosis hiding underneath the obvious one. The patient as a person is not your first motivation, though you are capable of caring more than you would admit. You work best when the stakes are highest and the standard answer is wrong. Princeton-Plainsboro exists to house one extraordinary and impossible mind, and everyone near it is there because they can keep up. What this ward asks of you

• Thinking harder than anyone else in the room, then defending it.
• A high tolerance for being disliked while you are right.
• Interest in the puzzle that outlasts your interest in being comfortable.

From the Collider file

• Eight seasons built on Sherlock Holmes: House and Holmes, Wilson and Watson, and an apartment at 221B.
• Hugh Laurie taped his audition in a hotel bathroom in Namibia while shooting another film.
• By 2008 it was the most-watched television show on earth, with an audience around 82 million.

Chases the puzzle Difficult on purpose Usually right

SHH · Admitted Scrubs Sacred Heart Hospital, California This ward asks whether you can hold the tragedy and the absurdity at the same time.

You understand that medicine is devastating and ridiculous in roughly equal measure, and that the only sane response is to carry both at once. You are warm, self-aware and funnier than most people in your field. You use humor to get through terrible moments, which at Sacred Heart is a survival strategy rather than a flaw. You lean on the people around you and let them lean back, because here the laughter and the grief are inseparable. What this ward asks of you

• Humor that never curdles into cruelty.
• The honesty to admit you are still learning how to do this.
• People you can lean on, and the willingness to be leaned on.

From the Collider file

• Nine seasons from Bill Lawrence, filmed largely inside a real decommissioned hospital in North Hollywood.
• Working doctors have repeatedly named it the most accurate medical show on television.
• Zach Braff, Donald Faison and Sarah Chalke returned for an ABC revival that premiered in February 2026.

Laughs to cope Still learning Leans on people

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There was no exploration of how the car accident affected Eddie, or the lingering impact that the racism and homophobia directed at him throughout that episode had on him. Even when Eddie got stabbed in the Season 9 finale, he recovered off-screen, and his pain was used to fuel Buck's storyline of choosing to foster Theo. Season 10's Buck and Eddie fight was set up to focus on Buck and Eddie's dynamic, but it could have also explored their own separate parenting issues. Instead, in "Imposter Syndrome," the storyline becomes all about Buck having problems with Theo (Lincoln and Theodore Sykes), because he still refuses to even try to parent him. Eddie is sidelined the whole episode, and he and Buck make up mostly off-screen, ending their argument with a brief conversation where Eddie has to comfort a self-deprecating Buck instead of having his own feelings acknowledged.

Eddie Diaz Deserves Better From '9-1-1' Season 10

Eddie Diaz is one of the most captivating characters on television right now. He has a deeply compelling backstory, a fierce love for the people in his life, and an unshakable belief, on a fundamental level, that he doesn't deserve good things. There is so much for 9-1-1 to explore when it comes to Eddie's character, from his grief over recently losing Bobby and his abuela (Ana Mercedes), to his complicated relationship with religion, to why dating has never come easily to him. He hasn't had a proper storyline with Christopher (Gavin McHugh) since either of them moved back to Los Angeles, and the show hasn't given any focus to how Eddie felt about having stepped in for Chimney (Kenneth Choi) to primarily serve as a paramedic alongside Hen (Aisha Hinds) over a season ago.

The Buddie dynamic is certainly an important one, but Buck and Eddie have not been given the same treatment by the narrative, and every one of their shared storylines now always becomes about Buck. 9-1-1 needs to start focusing on Eddie's side of these storylines as well, but he also needs to get some deeper storylines of his own. Eddie already doesn't get enough to do, but when he does, 9-1-1 does not linger on him long enough to explore his feelings and the deeper implications that these storylines have had on him. In its tenth season, 9-1-1 is still underutilizing one of its best characters, and it needs to finally do right by him.