7 Years Later, Quentin Tarantino’s Long-Awaited Sequel Officially Arrives With Stunning Trailer
Chris is a Senior News Writer for Collider. He can be found in an IMAX screen, with his eyes watering and his ears bleeding for his own pleasure. He joined the news team in 2022 and accidentally fell upwards into a senior position despite his best efforts.
For reasons unknown, he enjoys analyzing box office receipts, giant sharks, and has become known as the go-to man for all things Bosch, Mission: Impossible and Christopher Nolan in Collider's news division. Recently, he found himself yeehawing along to the Dutton saga on the Yellowstone Ranch.
He is proficient in sarcasm, wit, Photoshop and working unfeasibly long hours. Amongst his passions sit the likes of the history of the Walt Disney Company, the construction of theme parks, steam trains and binge-watching Gilmore Girls with a coffee that is just hot enough to scald him.
His obsession with the Apple TV+ series Silo is the subject of mockery within the Senior News channel, where his feelings about Taylor Sheridan's work are enough to make his fellow writers roll their eyes.
Sign in to your Collider account
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
Cliff Booth has always seemed like the kind of guy who could disappear for eight years and then wander back into your life as though he’d only gone out for cigarettes. The last time we saw Hollywood’s coolest stuntman, he’d taken an acid-dipped cigarette and subsequently helped turn the Manson Family’s most infamous night into something considerably bloodier for the people who actually deserved it. Now it’s 1977, Hollywood has changed, and Cliff has found himself another line of work.
Seven years after Once Upon a Time in Hollywood, Brad Pitt (F1) is officially back as Cliff in The Further Mis-Adventures of Cliff Booth, with the long-awaited sequel unveiling its first full trailer ahead of its November 25 IMAX release. There’s one fairly enormous change this time around: Quentin Tarantino wrote the screenplay but handed directing duties to David Fincher (Fight Club), bringing together two filmmakers whose approaches to violence, Hollywood, and deeply questionable men should make for quite the combination.
KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.