The Jerusalem PostNetanyahu received three warnings from Egypt about Gaza including in days before October 7 - reportESPNFollow live: Rams hold lead over scoreless Broncos in first halfESPN DeportesCosta Rica fracasa ante Haití y pone en riesgo Copa Oro y Liga APunchS’Court judgment: Parties insist candidates safeCNN TürkAKARYAKIT FİYATLARI ZAM GELDİ Mİ? 28 Eylül Benzin, Motorin, LPG'ye Zam Var Mı Yok Mu? Akaryakıta Ne Zaman Zam Gelecek? İstanbul, Ankara, İzmir Akaryakıt FiyatlarıInquirerMarcos greets longtime family lensman Tata Willy on 89th birthday한겨레세종대 탄수화물소재연구소, 제13회 정기 학술심포지엄 개최 “AI 기반 소재 설계부터 효소 공학·기능성 탄수화물 개발까지 융합 연구 성과 공유”BillboardLISA Pays Tribute to Thailand With High-Octane ‘SaWaDiKa’ Performance at VMAs 2026South China Morning PostChickens in Malaysia are producing fewer eggs. Is haze a leading cause?UOLRavens dominam Maracanã no terceiro jogo da NFL no Brasil경향신문입주 시작한 ‘모아주택 1호’ 찾은 오세훈 “2031년까지 4만가구 공급”Daily MailBBC faces backlash over story claiming viral bare fingernails trend is 'racist and classist'
The Daily Newsstand · Free, Always
Monday, September 28, 2026

Laurie Anderson Shares Three Rules for Life with Striking Performance Art Piece

Translate

    Laurie Anderson delivered a striking combination of life advice and electronic performance art during Return of the Buffalo: Tatanka Owe Akupi in Brooklyn earlier this month, and a clip of the moment has since begun making the rounds online.

    During the September 19th procession through Downtown Brooklyn, Anderson revisited three rules for living that she developed with her late husband, Lou Reed: “Don’t be afraid of anybody.” Second, “Get a really good bullshit detector and learn how to use it.” And finally, “Be really tender.” Anderson has shared versions of the rules for years, including while accepting Reed’s posthumous induction into the Rock & Roll Hall of Fame in 2015.

    During the performance, Anderson turned her own body into an instrument, striking her chest and limbs as booming electronic percussion punctuated her words. The technique recalled her 1986 “Drum Dance,” in which Anderson wore a suit embedded with sensors that triggered different sounds depending on where she tapped her body.

    She then brought attention to the anger she sees around her today, urging the crowd to look beneath it rather than simply react. Invoking the teachings of a Buddhist teacher, Anderson suggested that getting to the root of someone’s anger will ultimately lead to the same place: a broken heart.
    “So many people are so angry these days,” she said, before encouraging the audience to “try to understand this anger” and get to the bottom of it.

    Return of the Buffalo: Tatanka Owe Akupi was a two-day public art project that sent 40 life-size buffalo puppets through Lower Manhattan and Downtown Brooklyn alongside musicians, actors, dancers, poets, tribal elders, and community groups. The project was created by Amir Nizar Zuabi in partnership with Elders from the Lenape and Lakota Tribes, and used the buffalo’s return from near extinction as a symbol of healing, resilience, and renewal. Rhiannon Giddens, Haley Heynderickx, Max García Conover, Sam Waterston, Susan Sarandon, Rosario Dawson, and others were also among the featured participants.

View the original on Consequence →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.