InquirerFrom Donki to Nike: Analyst says VP had ‘unusual’ purchases in 2025ESPNTakeaways and analysis from Valkyries' sweepESPN DeportesTigres vence al líder Toluca con doblete de Juan BrunettaThe Jerusalem PostPatel says FBI has arrested another person tied to ShinyHunters hackersPunchA’Court rejects El-Rufai’s bail applicationZDF heuteAktuelle Pressemitteilungen des ZDFCNN Türkİstanbul'da Ataşehir ve Eyüpsultan’da seçim günü!매일경제“명색이 집권당인데”…민주당 비공개 일정 요구에 추미애 ‘발끈’New Straits Times2027 Budget: Security measures must deliver stronger enforcement, says criminologistThe Sydney Morning HeraldV’landys throws weight behind Bears coach Meninga after CEO’s sudden exitSouth China Morning PostSouth Korea: 38 injured as ceiling collapses during Daegu sales eventThe Indian ExpressFor protesters and police at Jantar Mantar, lessons from Nana Patekar films
The Daily Newsstand · Free, Always
Saturday, October 10, 2026

‘Exorcism of God’ Director Alejandro Hidalgo to Helm Malaysian Hungry Ghost Festival Horror ‘The Hungry One’ (EXCLUSIVE)

Translate

Alejandro Hidalgo, director of “The Exorcism of God,” is set to make “The Hungry One,” a supernatural horror film unfolding over Malaysia’s Hungry Ghost Festival.

Kuala Lumpur-based Abnormal Studios is handling worldwide sales and is introducing the project at the Busan International Film Festival‘s Asian Contents & Film Market. Singapore-based Clover Films has already picked up rights for Singapore, Malaysia and Indonesia.

The story follows Emily, an American woman who travels with Simon, her Chinese Malaysian husband, and their son Louis to spend the summer at his family’s mansion. Their stay coincides with the 15-day festival, when the underworld is believed to open and the dead mingle with the living. Emily becomes the target of escalating encounters with a vengeful presence trying to cross over, and must dig into the house’s hidden past before it takes her family.

Filmmaker and entrepreneur Justin Leong is driving the project through Los Angeles-based Lightning Pictures.

“Growing up in Asia, I always felt the Hungry Ghost Festival was incredibly rich visually, from the fire and offerings to the rituals and mythology behind it. When you capture that and shoot it cinematically, it’s movie gold. It gives us a world that audiences may not have seen before, but one that feels immediately atmospheric, mysterious and made for horror,” Leong said.

Leong, who has deep ties to Malaysian-Chinese culture, drew on his own family’s traditions to shape the story.

Hidalgo’s first feature, “The House at the End of Time,” remains Venezuela’s biggest horror hit at the box office. It earned strong notices on the festival circuit and has since gathered a cult audience for mixing the supernatural with science fiction. His 2021 follow-up, “The Exorcism of God,” bowed at Fantastic Fest and went on to sell to more than 150 countries, with Saban Films handling its U.S. theatrical release. It ended 2022 as the highest-grossing Latin American film worldwide.

Producer Harrison Allen, who won the live action short Oscar at this year’s Academy Awards for Netflix title “The Singers,” is also on board. His latest feature, “Anima,” screened at SXSW this year.

Also attached is Thomas Percy Kim, a Sundance and Toronto fellow whose debut feature “Isle Child,” based on his own short that HBO Max acquired, premiered in Toronto. Screenwriter Justin Parker worked on the development of HBO’s Emmy-nominated limited series “Station Eleven” and was a writer on docuseries “Religion of Sports.”

“The Hungry One” is in pre-production, with its producers working to lock the last portion of its financing.

Abnormal Studios, a subsidiary of Westec Media Limited, has been acquiring and releasing films since 2020 and has handled more than 400 titles to date. It now brings around 100 films a year to Southeast Asia, Australia, New Zealand, Taiwan, Mongolia and Nepal. Recent releases include “How to Make Millions Before Grandma Dies” and “Twilight of the Warriors: Walled In.”

View the original on Variety →

KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.