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Sunday, September 27, 2026

ROGER LEWIS: Were the 60s a swinging decade of sex and mini skirts... or the start of a decline into an ugly, lawless, ignorant Britain?

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In David Kynaston's telling, the past is like a gigantic flicker-book. Having examined newspaper reports, diaries, letters, media bulletins, and contemporary memoirs, plus heaps of other sources, he is able to tell us that in the period under review, the mid-Sixties, Petra on Blue Peter had puppies, John Prescott went to Hull University and was snubbed by Philip Larkin, Sooty had a girlfriend, Soo, but 'they had to keep their paws off each other', multi-flavoured Golden Wonder crisps came in, as did open-plan offices ('theoretically less hierarchical'), Pizza Express appeared, and the Moors Murderers were put on trial.

In celebrity culture, Peter Cook's satire boom took off ('the difficulty is to combine freedom of expression with a full sense of responsibility') and The Beatles received the MBE. 'We're more popular than Jesus now,' bragged John Lennon. 'All they do is exploit a basic jungle rhythm for money,' complained a retired puce-faced army colonel.

Harold Pinter's plays were considered 'absolute drivel and incomprehensible nonsense'. Ken Dodd began a nine-month run at the Palladium, and though the family favourite was Val Doonican, it was Tom Jones who went to No 1, with It's Not Unusual.

On the political front, as Deep Into The Sixties: Britain 1965–66 explains, Harold Wilson's Labour Party were bringing in high taxation, 'a most disgusting attack on anyone who wants to make his way in the world', as a City analyst exclaimed. Manual work and traditional industries were fast disappearing – foreshadowing the strikes and strife of the Seventies. It was the beginning of the end of textiles and clothing manufacturing, shipyards, coal, cotton mills. There were (as today) shuttered shops, closed pubs, the appearance of tattoo parlours and discount booze outlets.

At the same time there was immigration – by 1967 Birmingham had more than 60 Pakistani shops; in 1968 Enoch Powell would deliver his 'rivers of blood' speech. When a black man entered a Bristol pub, the landlord called the police. Eight constables and an inspector immediately arrived in a Land Rover. The black man spent the night in the cells.

Meanwhile, the government was intent on getting rid of grammar schools and the 'hated and feared' 11-plus, and imposing instead the non-selective comprehensive system.

The most tragic move throughout the Sixties was the wanton destruction of the urban landscape and the visible beauty of Britain. This had begun with Richard Beeching's railway closure programme, when lovely halts and stations went, eg Adlestrop on the Cotswold Line. Fewer trains meant more motor traffic, congestion, pollution.

Kynaston breaks this reader's heart as he gives details of all the attractive Victorian terraces, Georgian squares, historic timber-framed houses, Italianate market halls, theatres and clock towers replaced in town after town by blocks of high-rise flats, pedestrian precincts, shopping plazas, concrete office blocks and car parks.

The Sixties witnessed the legalisation of abortion, a rise in divorce (37,800 in England and Wales in 1965) and an increase in illegitimacy (70,000 in 1967). Pictured: Icons of the Sixties including actor Michael Caine and The Beatles

Local authorities and planning committees, and their policy of 'destructive philistinism', did more damage to Britain than the Luftwaffe – inner ring-roads and road-widening schemes, underpasses, motorways. It was not an 'economic proposition' to conserve anything, ran the official line. That there is any Victoriana left is due to the efforts of John Betjeman, who in his television documentaries woke people up to what was being demolished in the bogus name of progress.

The Sixties witnessed the legalisation of abortion, a rise in divorce (37,800 in England and Wales in 1965) and an increase in illegitimacy (70,000 in 1967). Kynaston's account of forced adoptions – by Church of England charities – and the cruelty meted out to single mothers is shocking; medieval in its brutality.

Yet brutality was condoned – they called it 'discipline'. In the Sixties the police routinely beat suspects up and there was corporal punishment in schools. Homosexuality may no longer have been a criminal offence, but most citizens still considered it 'wrong, unnatural, degrading and disgusting'. Some politicians even feared gay liberation would usher in 'an age of lawlessness, violence and crime'.

Indeed, anything to do with sex got people's knickers in a knot. Joan Bakewell, 'deploying her endless legs to maximum seductive effect', was a popular presenter of current affairs programmes. Frank Muir called her 'the thinking man's crumpet'. Mary Whitehouse set herself up as an arbiter of good taste, quick to complain about anything permissive – sex outside of holy wedlock, adultery, nudity, mini skirts. By the way, top-shelf magazine Penthouse started publication in March 1965. It was Whitehouse's belief that the BBC was 'determined to do everything in their power to present promiscuity as normal'.

What was normality in the Sixties? When the Pill was prescribed, 'it often seemed easier and, believe it or not, more polite, to sleep with a man than to chuck him out of your flat', a witness

tells Kynaston. If feminism arose it was in reaction to misogynistic films such as Alfie, equal pay disputes and the requirement of a woman to have a man countersign her legal documents. As Fay Weldon is quoted as saying, 'We saw that the indignity, emotional pain and helplessness that went with being a woman in the 1960s was monstrous and couldn't, mustn't, last.'

On the whole, however, reality, with its shabbiness and disappointments, was encapsulated best in the Carry On films, where sex and married life is off-putting, England is still full of restrictions, the Swinging Sixties is a myth and nothing much happens anyway. Kynaston cites the world expert on the subject – me, as it happens: 'It is a life of delayed or cancelled gratifications. People drive rusty cars. They go on day trips to paddle in the English Channel. They eat pork pie picnics. They go on no-frills, self-catering weekends where Hattie Jacques is queueing for the turbo-toilet.'

I was glad to hear from Kynaston that at Pinewood, Warren Beatty said hello to Kenneth Williams, which (wrote the comedian in his diary) 'secretly pleased me enormously'. So that's something. The Sixties, nevertheless, as it emerges from this epic of 'collective historical memory', does seem the very moment when it all started to go wrong, from educational deterioration, architectural rubbishness and endemic mental health issues to general disaffection and social divisiveness.

'We never asked for mass immigration,' a Cockney who grew up in the Fifties is quoted as saying. 'We never asked for multiculturalism. We never asked for diversity… I wish to be allowed to continue to live my life immersed in my own culture, with all its foibles and faults as well as its joys.' As Kynaston points out, the seeds were already being sewn for Brexit.

Deep Into The Sixties, with its encyclopaedic detail, shows how those politicians, bureaucrats and commentators, while believing themselves agents of advancement, were in fact Britain's elegists, bringing much to an end. Much needed to be brought to an end, but not everything.

It was lucky for Victoria that Albert died young 

Queens and Kings 

Lucy Worsley

Hodder & Stoughton 

£25, 400pp 

When a new queen takes the throne it is only right for her to have a motto. Queen Anne chose 'Always the same'. 'Bloody' Mary I went for 'truth, the daughter of time'. Anne Boleyn opted for two. The first, 'the most happy', came across as rather smug to those supporters of Catherine of Aragon who still lingered in royal circles. The second, which was embroidered into her servants' liveries, 'ainsi sera groigne qui groigne' ('haters gonna hate') wouldn't dissuade onlookers of these sentiments.

Lucy Worsley's fantastic new book is filled with such nuggets of historical delights. As chief curator of the Royal Palaces (which include Hampton Court, Kew, Kensington and the Tower of London) Worsley has learned almost everything there is to know about some of our greatest monarchs. She begins our romp through history at Hampton Court with Henry VIII, his wives and children. Then we head to the Stuarts and discover that we have James I, and his Bible, to thank for exclamations such as 'woe is me' and the phrase to go 'from strength to strength'.

When it comes to the Georges, we learn that to those who fell from favour, George I would turn his back (or rump). In consolation, those who had been 'rumped' formed a club… the appropriately named 'Rumpsteak Club'. Worsley

is quite refreshing in her fairness. She's ready to debunk preconceived notions about sex, sexuality, parenting and morality. And to add some scepticism when modern views might have clouded the historical reality.

Poor old bloated Anne was actually a top-tier monarch who ruled fairly, supported the arts and was excellent at foreign relations. And Worsley leaves the possibility 'open' that there might have been a physical love triangle between Anne, her closest friend Sarah, Duchess of Marlborough and her later favourite, Abigail Masham. The only evidence is that the women never wrote to their husbands in as loving terms as they did each other.

As for Victoria, Prince Albert was far from an ideal husband. While he had an impressive mind and eye for innovation, he clashed with her government and kept her

'so heavily burdened with maternal duties, he could get on with making himself king in all but name'. Had he not died so young, there might have been tricky times ahead for the royal couple once the Queen went through the menopause.

It becomes obvious, through details of scrappy mottos, comparison of the widening girth of Henry VIII and George IV (the waists of each expanded to almost 55 inches) and the fact that Princess Margaret was the first royal to get divorced since Anne of Cleves, that even in the country's grandest houses, normal people – who love, lose and pile on the pounds – can still be found.

This highly readable and thoughtfully curated history is a testament to Worsley's skill as a communicator, and to the fact that history is never as straightforward as it might seem.

Katharine Spurrier

The best new fiction 

A Game Of Cat And Killer

Jiro Akagawa

MacLehose Press

£16.99, 320pp

This is the first British outing for a much-loved Japanese crime series. In Tokyo in the late 1970s, a shy and hapless young detective named Yoshitaro Katayama is sent to investigate a killing in a women's college. Before long a college professor is found dead too, in a baffling, locked-room murder. Katayama would be all at sea, were it not for some unexpected help from the late professor's cat, Holmes. And so a classic crime-busting partnership begins. A charming, intricate mystery.

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The Weight Of Angels

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Doubleday £20, 624pp

Boyne intriguingly imagines the life Oscar Wilde might have led had he ignored the Marquis of Queensbury's defamation and avoided the tragedy that followed his prosecution for gross indecency. Living on into old age, Wilde receives the Nobel prize, rubs shoulders with the great and the good, and remains a torchbearer for the decriminalisation of homosexuality. Witticisms abound, although the novel could do with some pruning.

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The Strangers

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Leave it to polymathic Alderman – author of the prize-winning The Power – to conjure a hybrid of speculative fiction and grief memoir that is as wise as it is wacky. Its plot centres on an author mourning the death of her mother and a series of miscarriages. As a distraction, she puts up a wildlife camera, and so captures a badger-like new mammal species that becomes the focus of polarising debate. Despair and solace, intelligence and imagination – it's all here.

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In this second novel from Kennedy – whose first was the Troubles-set Trespasses – luminous prose leads prickly, self-destructive characters into some very shady places. Outsider Roisin and damaged Red are haunted by the political past and hounded by abuse, abandonment and addiction. We first meet them as teenagers in small-town Eighties Ireland, intermittently following them over some 30 years. Heartbreaking and painfully truthful, it's a tough, tender look at an almost impossible friendship.

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